Artists Studio

Rashaad Newsome

Artists Studio

Rashaad Newsome

November 7, 2017

Veterans Room

Rashaad Newsome is a multidisciplinary artist whose practice is deeply invested in how images used in media and popular culture communicate distorted notions of power and status. Whether it be in his series of compositions created by “throwing shade” or his various works documenting the dance form known as vogue, his interests lie in critiquing the popular appropriation of the dance, music, and vernacular expression developed in Harlem’s queer ballroom scene of the 1970s.

He comes to the Armory to premiere Running, a new immersive performance evoking an abstract portrait of soul created through light and voice. Running is centered on the musicology term for a singer’s improvised embellishment; a “vocal run” is a rapid series of ascending or descending musical notes sung in quick succession. Running is a vocal effect that spans a variety of musical genres from the 19th century to today. Newsome’s stirring performance features three local New York City vocalists performing an original score composed by the artist, which incorporates samples of vocal runs by Aretha Franklin, Patti LaBelle, Whitney Houston, Marvin Gaye, B.B. King, James Brown, and Kelly Price, among others.

Performances

Tuesday, November 7, 2017 at 7:00pm and 9:00pm

“[Newsome’s] work is irreverent and brazen. It is deeply referential. It is decisive. It is disruptive. It is king.” 

Forbes

Gallery

Support

The Artists Studio is supported in part by public funds from the New York City Department of Cultural Affairs in partnership with the city council and by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature.

  • DCA - Sponsor Logo - SVG
  • NYSCA - Sponsor Logo - SVG
Related Events

Related Events

Wade Thompson Drill Hall

Assembly

This multifaceted Armory commission by interdisciplinary artist Rashaad Newsome combines multiple art forms including artificial intelligence, sculpture, CGI, assemblage, and holography to transform the Drill Hall into a world that is exhibition space, a performance hall, and a classroom. Visitors experience kinetic environment of video-mapped walls pulsing with computer-generated imagery, an exhibition of sculptures and collages, and a theater for decolonization workshops and dance performances with dance, music, and poetry.

Learn More

Also in the Series