“It’s gritty and rigorous, but also sumptuous and fanciful…the sheer visceral excitement of being caught in the middle was like nothing else in music.” — The New York Times
Pierre Boulez was a French composer and conductor who helped blaze a radical new trail in classical music during the 20th century, composing innovative scores that showcased his musical creativity. And no work better showcases his compositional audacity than Répons, a work constructed on various types of calls and responses between a combination of acoustic instrumentation from an ensemble with soloists whose sounds are digitally transformed and regenerated live.
Rarely staged in concert halls given its unconventional configuration of the space, this spatial masterwork is realized at the Armory with the ensemble positioned in the center of the audience, who is surrounded by the soloists and amplification with waves of sound spiraling and circling throughout and above. The world renowned contemporary music group Ensemble intercontemporain, under the baton of conductor Matthias Pintscher, performs this emblematic work twice in succession each evening, with the audience changing seats in between to gain a new sonic perspective. This remarkable presentation marks the first performance in New York of a major work by Boulez since his death in early 2016.
Pierre Boulez, Composer
Andrew Gerzso, IRCAM Computer Music Design
Samuel Favre, Gilles Durot, Percussion
Dmitri Vassilakis, Hidéki Nagano, Piano
Frédérique Cambreling, Harp
Luigi Gaggero, Cymbalum
Matthias Pintscher, Conductor
Gilbert Nouno,IRCAM Computer Music Production
Jérémie Henrot,IRCAM Computer Engineer
Pierre Audi, mise-en-space
Urs Schönebaum, lighting designer
Image: Photo by Marion Kalter / akg-images
Friday–Saturday at 8:00pm
Wade Thompson Drill Hall
Tickets start at $40
Single tickets go on sale to the general public on May 1 (April 24 for members).
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