The Transfinite

Ryoji Ikeda

The Transfinite

Ryoji Ikeda

May 20, 2011 - June 11, 2011

Wade Thompson Drill Hall

Following critically acclaimed installations by Ernesto Neto and Christian Boltanski, Ryoji Ikeda has been selected by the Armory for its third annual visual art commission in the Wade Thompson Drill Hall. Ikeda creates a visual and sonic environment where visitors are submerged in an extreme illustration of projected and synchronized data. His work uses scale, light, shade, volume, shadow, electronic sounds, and rhythm to flood the senses. In choreographing vast amounts of digital information, Ikeda conjures up a transformative environment in which visitors confront data on a scale that defies comprehension, experiencing the infinite.

Installation Hours

Tuesdays–Sundays: 12:00pm–7:00pm
Thursdays: 12:00pm–9:00pm
Memorial Day: 12:00pm–7:00pm
Member Viewing Hours: Saturdays from 11:00am–12:00pm
Closed Mondays

Production Advisory

This installation includes strobe effects.

“A huge, immersive, electronic light-and-sound installation by the internationally celebrated avant-garde composer Ryoji Ikeda, is spectacular, trippy and fun. It is hard to imagine anyone of whatever age not enjoying its sensational effects ... It’s like a walk-in, animated Op Art painting.  Beautiful and absorbing to look at.”

The New York Times

“spectacular and overpowering”

ARTINFO

“The Armory is making a name for itself as a venue for gargantuan musical events. Ryoji Ikeda has turned the cavernous Wade Thompson Drill hall into a platform for a continuously modulating installation of pulsating, digitally processed sounds and sights to be experienced, strolling gallery style.”

The New Yorker

“Rocks the senses …the Drill Hall has lately become a playground for artists of outsized imaginations.”

The Financial Times

Gallery

Production Credits

Co-produced by Park Avenue Armory and Forma.

Related Events

Related Events

Public Program

Saturday, May 21, 2011 at 2:00pm

Artist Talk: Ryoji Ikeda

Ryoji Ikeda in conversation with Kristy Edmunds.

Support

This program is supported by Bank of Tokyo-Mitsubishi UFJ, the E. Rhodes and Leona B. Carpenter Foundation, Ken Kuchin, Melva Bucksbaum and Raymond Learsy, and the New York City Department of Cultural Affairs in partnership with the City Council. Additional support provided by Jo Carole and Ronald S. Lauder, David Teiger, and The Surrey.

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