2025 Season

Discover our 2025 Season, which features bold and transformative experiences including North American and world premieres from leading artistic voices that subvert and expand expectations of what contemporary music, visual art, and performance can be.

2025 Season

Still To Come This Season

A group of colorfully-costumed characters playing musical instruments, surrounded by an assortment of props.

December 2–14

The Faggots and Their Friends Between Revolutions

This cult book of fables and myths that radically reimagines the history of the world through a queer lens is given a thrilling new life as a cabaret-like spectacle that draws on theater, dance, storytelling, and song in a colorful, eclectic, and profound adaptation directed and written by Ted Huffman with music by Philip Venables that serves as a political manifesto for survival while giving voice to the marginalized and oppressed everywhere.

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In Our Historic Period Rooms

Philip Venables and Ted Huffman stand together in front of a building with a bold red brick wall with blue graffiti marks.

Making Space at the Armory

Artist Talk: Philip Venables & Ted Huffman

The Faggots and Their Friends Between Revolutions creators Philip Venables and Ted Huffman are joined in conversation with comedian, musician, and writer Morgan Bassichis and original book illustrator Ned Asta.

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Group headshot of Attacca Quartet musicians wearing dark clothing, their stringed instruments in hand.

Recital Series

Attacca Quartet

Versatile ensemble Attacca Quartet brings audiences a program of classic quartets by Bartók and Mendelssohn, quartet-arranged interpretations of signal works for other instrumentation, and the North American premiere of “Daisy” by David Lang.

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Previously This Season

Jamie xx: In Waves

January 9–12

Jamie xx: In Waves

Forward-thinking beatmaker and producer Jamie xx returns to the Armory to kick off the North American tour supporting his long-awaited new release, In Waves, replicating the emotional crescendos and thrilling volatility of an almost mystical night out while encapsulating fun, joy, and introspection all at once.

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February 14–17

Wish Tree

Experience the largest installation in North America to date of groundbreaking and influential artist and activist Yoko Ono's ongoing work Wish Tree, where a grove of 92 trees will be installed in honor of her 92nd birthday that invites visitors to contribute personal wishes, creating a large scale, yet intimate activation of her social practice work.

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Wish Tree

February 14–17

Wish Tree

Experience the largest installation in North America to date of groundbreaking and influential artist and activist Yoko Ono's ongoing work Wish Tree, where a grove of 92 trees will be installed in honor of her 92nd birthday that invites visitors to contribute personal wishes, creating a large scale, yet intimate activation of her social practice work.

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A group of performers enters the performance space, which includes a countdown clock on a Jumbo-Tron and Cadillac Escalades.

March 3–12

DOOM: House of Hope

Radical art world superstar Anne Imhof takes hold of the Wade Thompson Drill Hall with her largest performative work to date, a large-scale, durational performance piece that fuses performers, sound, and scenography in an exploration of the balance between apathy, activism, and resistance in response to our present moment.

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June 5–August 17

Diane Arbus: Constellation

This unconventional constellation of more than 450 prints by influential and revolutionary photographer Diane Arbus—many of them still unpublished—is the most comprehensive assemblage of her work to date, capturing the breadth of life in postwar America and offering new perspectives on her subjects.

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Diane Arbus: Constellation

June 5–August 17

Diane Arbus: Constellation

This unconventional constellation of more than 450 prints by influential and revolutionary photographer Diane Arbus—many of them still unpublished—is the most comprehensive assemblage of her work to date, capturing the breadth of life in postwar America and offering new perspectives on her subjects.

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September 9–20

Monkey Off My Back or The Cat's Meow

Drawing on historical and pop culture references, this hybrid work by choreographer, dancer, and Guggenheim Fellow Trajal Harrell channels dance, theater, fashion, history, and music through the architecture of a Mondrian-esque colored catwalk that extends the length of the Drill Hall to embody expressiveness, freedom, and joy.

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September 30–October 6

11,000 Strings

Surrounding audiences with 50 micro-tuned pianos playing simultaneously alongside chamber ensemble Klangforum Wien, maverick composer Georg Friedrich Haas's spatial masterpiece unleashes a cascade of sound that transcends traditional tonality while focusing on the human dimension in music experimentalism and creating a new way of listening.

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11,000 Strings

September 30–October 6

11,000 Strings

Surrounding audiences with 50 micro-tuned pianos playing simultaneously alongside chamber ensemble Klangforum Wien, maverick composer Georg Friedrich Haas's spatial masterpiece unleashes a cascade of sound that transcends traditional tonality while focusing on the human dimension in music experimentalism and creating a new way of listening.

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Recital Series

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The Recital Series has been lauded for becoming a “locus for important chamber music concert” (The New Yorker). Performed in the restored Board of Officers Room, these mesmerizing musical moments utilize the pristine acoustics and intimate scale intended by many composers while invoking the Salon culture of the Gilded Age. This season includes highly anticipated recital debuts, thoughtfully curated programs of lieder, art song, and contemporary works by some of today’s most exciting musical interpreters, and thrilling performances that explore signal works and take the art form in bold new directions.

Artists Studio

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Curated by jazz pianist, composer, and MacArthur Fellow Jason Moran, this series showcases a diverse mix of some of today’s most creative voices who have a distinct relationship to sound and the voice. All of these imaginative innovators defy categorization and blend artistic forms, and their performances allow them to freely explore their artistic sensibilities and exciting new directions in their creative practice. Realized in the Veterans Room—a monument to the American Aesthetic Movement designed by Louis C. Tiffany & Co., Associated Artists—these interventions expressly mirror the innovative spirit of the exceptional young artists present at the room’s inception.

Making Space at the Armory

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Held in our historic period rooms and spaces, this insightful series of cutting-edge conversations, performances, and installations provide a unique forum for bridging art and culture. These happenings—curated by professor and Guggenheim fellow Tavia Nyong’o—make space for new points of view and unique perspectives from a diverse array of artists, scholars, cultural leaders, and social trailblazers.

Inspired by civil rights legend Grace Lee Boggs’s famous question—“What Time is it on the Clock of the World?”—this season invites audiences to become activeparticipants in the conversations and connections that weave art into the texture of civic life in our current moment.

Malkin Lecture Series

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Launched in 2007, the Malkin Lecture Series presents scholars and experts on topics relating to Park Avenue Armory and its pivotal role in the civic, cultural, and aesthetic evolution of New York City in the 19th and early 20th centuries. This season’s lectures shine a light on figures from the late 19th century,  and how their actions continue to influence the way we view rule breakers, Civil War monuments, and landscape architecture today.

Historic black and white photograph of a bustling and crowded New York City street.

Malkin Lecture Series

New York's Scoundrels, Scalawags, and Scrappers

Social and architectural historian John Tauranac profiles the New Yorkers who gamed the system to survive and thrive in the tough times for the working class of the 1890s.

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Historical black and white photograph of the Soldiers' and Sailors' Monument in Riverside Park, Manhattan.

Malkin Lecture Series

Politics and Memory

Author and professor Akela Reason illuminates the complex intersection of art, politics, and memory within New York City's Civil War monuments while highlighting the ever-changing ways different constituencies have engaged with them.

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Black and white photographic portrait of landscape architect Frederick Law Olmsted.

Malkin Lecture Series

Finding Frederick Law Olmsted in Cotton's Kingdom

Landscape architect Sara Zewde examines the Central Park designer's research journey through Southern States in search of his radical idea that public parks could redress society’s ills at the height of slavery in America and the implications today.

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