Richard Kennedy: Guttural (Conducted Contact)

The Radical Practice of Black Curation: A Symposium, a two-day gathering held at Princeton University and Park Avenue Armory, assembles a wide-ranging group of curators and art professionals of color—including Thelma Golden (The Studio Museum in Harlem), Adrienne Edwards (Whitney Museum of American Art), and Bonaventure Ndikung (Haus der Kulturen der Welt, Berlin)—to engage the past, present, and future of Black curation in the contemporary art world.

The past two decades have witnessed the success of a wide range of Black artists, whose work has been celebrated through their recognition by prestigious awards, at influential festivals, and through exhibitions and acquisitions at leading art institutions across the globe. But these successes have been enabled by a parallel development within art institutions themselves: the ascent of a visionary group of Black curators and curators of color who have supplanted the role of traditional curatorial gatekeepers and expanded the capacity of arts institutions to recognize the work of an increasingly diverse group of artists.

As a capstone of this event, multidisciplinary artist Richard Kennedy presents a musical encapsulation of the African diaspora in the Armory’s historic rooms. Titled Guttural (Conducted Contact), this new work opens a portal of participatory gathering as truth emerges through song, dance, and a series of wordless conversations.


Making Space at the Armory is made possible with support from the Rockefeller Brothers Fund (RBF).

The Radical Practice of Black Curation: A Symposium is supported, in part, by the Terra Foundation for American Art.

Public support is provided by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature as well as the New York City Department of Cultural Affairs in partnership with the City Council under the leadership of Speaker Adrienne Adams.

Rezas e Folhas by Viver Brasil, a part of Richard Kennedy: Guttural (Conducted Contact), is made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation.

Photo: Courtesy of the artist

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April 12, 2024

Friday, April 12 at 8:00pm

Performance Details
Various Spaces

Tickets: $45 (plus fees)
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